About Me

Hey There! My name is Sam Sagarino and I'm a Web Developer & Audio Engineer from Orlando, FL. My website work typically consists of the backend systems and operation of websites visited by thousands of people a day. Most of the systems I build to the majority of the talking between web servers and database infastructures associated with them.

I've been building, managing and developing websites since 2012 and I currently intend to attend the University of Central Florida after graduating from high school in 2020.


In the audio world, I've been mixing musicals and shows since 2012 - first working with analog consoles, moving to my first digital console experience (the Allen & Heath Qu-32) in 2016. Since then I've stepped away from the theatrical world and now work at Real Life Christian Church in Clermont, FL - where I work with a collection of Allen & Heath GLD80s and GLD112s and a Digidesign (now Avid) DShow, which is soon slated to be replaced with an Allen & Heath D-Live system.

Alongside the rest of our team, we maintain our production network systems that consist of Ubiquiti and Extreme networking systems - running Dante, ART-NET and general network use.

Work

Dizzy Dolphin Delivery Web Development

• Design a system that allows customers to create an account, place an order with whatever number of items they would like, and pay for the order using a credit card.
• System should include an "Admin Panel" allowing associates to price custom order items and make other updates to orders.
• Clients should have the ability to change order items and make other changes prior to the delivery of their order.
• Storage & maintenance of database storing thousands of users worth of information.

You can visit Dizzy Dolphin Delivery online at www.dizzydolphindelivery.com.


Real Life Christian Church Production Contractor

Weekend Services:
• Provide assistance to the A1/FOH Audio Engineer in patching and stage setup.
• Work with musicians to set in-ear mixes during rehearsal time and prior to rehearsal.
• Cue worship teams throughout service (communion, countdown to beginning of service, etc.)
Student Ministry:
• Work alongside Production Coordinators to organize patching & stage setup for band related needs.
• Responsible for the FOH mix during the service.
• Setup/breakdown of portable staging and PA used by StudentLife throughout the campus.
• Assist musicians in setting in-ear mixes.
Children's Ministry:
• Provided Front-of-House assistance with mixing, lighting and ProPresenter.
• Served as the Production Coordinator, overseeing all production aspects within the children's ministry as needed.
• Timecode/QLab Lighting Programming: I program each worship song within the children's ministry using Timecode from QLab, which then triggers ProPresenter slides and gets sent to the lighting console (Martin MPC System) over the network to fire the average of 60+ lighting cues within a song.
Networking:
• Work alongside the campus IT department and other Production Coordinators to maintain and operate the network that connects all of our Dante consoles and devices, production computers and stream machines.
Software Development:
• Develop and maintain software that runs backstage on displays for our teams to reference for specific service details, wireless assignments, etc.


East Ridge High School Audio Supervisor (August 2016 - May 2018)

• Provide FOH mixing for all mainstage musicals and plays throughout the school year. (Allen & Heath Digital Consoles/Behringer x32, QLab, Midi, Line-by-Line Mixing, Timecode)
• Assist administration with use of auditorium audio/visual equipment and operate systems during various school meetings, ceremonies, concerts, etc.
• Organize sound crews and train sound crews working during mainstage musicals.
• Provide sound/lighting design for blackbox theatre productions.

Contact Me

Experience & Portfolio

Audio Engineering

  • Sound Design and Mixing for Musical Theatre:
    Sound Design: Taking a script and working along side other creative teams to design the sound for a production, everything from sound effects to EQs. Then organizing all automation and audio cues into show control software such as QLab. From there' organizing microphone placement and logistics with actors and actresses - running rehearsals and tuning each actor and building a mix.
    Mixing: Using the work done during the design process, I'll run my QLab system - firing automation cues into whichever console I'm using to recall DCA assignments, levels, blends and other specific elements throughout the performance - while mixing in a style known as line-by-line - the idea being that just one microphone is up at a time based upon who is talking and who isn't.

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Name Description Price
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100.00

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Item One Ante turpis integer aliquet porttitor. 29.99
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Item Five Ante turpis integer aliquet porttitor. 29.99
100.00

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